Monday, June 6, 2011

Wangaratta Contemporary Textile Award 2011 - Exhibition Photos

Finally I've got around to posting my images of the exhibition and the opening day (it's taken a couple of days). A reminder, as always, that these are just snapshots I've taken, and probably no-one's work is well served by them!
They are only meant to show the exhibition as a whole, and the juxtapositions of work. Best to contact the gallery to order a copy of the excellent catalogue if you want better images of the works.

The artists in the show are:

Annie Aitken, Isabel Avendano Hazburn, Nicole Barakat, Jennifer Bartholomew, Wanda Bennett, Veronica Cay, Alana Clifton-Cunningham, Cresside Collette, Sujora Conrad, Adrienne Doig, Daniel Edwards, Esmae Emerson, Hilary Green, Tim Gresham, Mandy Gunn, Cecilia Heffer, Gabriella Hegyes, Judy Hooworth, Lucy Irvine, Adrienne Kenafake, Anita Larkin, Rodney Love, Penny Malone, Elisa Markes-Young, Paull McKee, Ian McKinnon, Julie Montgarrett, Brook Morgan, Catherine O'Leary, John Parkes, Flossie Peitsch, Martine Peters, Teresa Poletti Glover, Karen Richards, Jennifer Robertson, Barbara Rogers, Julie Ryder, Nicky Schonkala, Joy Smith, Patrick Snelling, Anton Veenstra, Carmel Wallace

The first thing I noticed when I looked at the catalogue was how many of the names I knew. I realized I'd been in other shows with half of the artists. These shows and these artists:

Wangaratta Contemporary Textile Award 2009 - Cresside Collette, Hilary Green, Tim Gresham, Mandy Gunn, Cecilia Heffer, Anita Larkin, Penny Malone, Julie Montgarrett, Julie Ryder, Patrick Snelling

Momentum: The 18th Tamworth Fibre Textile Biennial - Alana Clifton-Cunningham, Hilary Green, Mandy Gunn, Cecilia Heffer, Penny Malone, Elisa Markes-Young

Hands On: Craft in Contemporary Art - Annie Aitken, Anton Veenstra

Re-Frame - Nicole Barakat, Paull McKee

Entanglement -
Hilary Green, Brook Morgan,

Landscapes: A Journey Home in Textiles - Brook Morgan

Luggage... Not Baggage -
Gabriella Hegyes

Furr - Nicole Barakat

I've put the images in the order you'd see them if you entered the gallery, went to the right, and continued around the exhibition until you get back to the entrance. It was intermittently sunny that day, so occasionally the sun bursts into the photos. This is the view from the gallery door, with Elisa Markes-Young's The Strange Quiet of Things Misplaced #27:

From right to left (all subsequent photos will be R to L as well), Penny Malone's Diptych Melbourne Geometrics, My Tool Set by Joy Smith on the plinth, and Curious Wonder by Martine Peters:

A group shot:

Annie Aitken's Untitled #1, Brook Morgan's Untitled, and Cocoon #10 by Carmel Wallace:

A closer look at Brook's work. Made from protea flowers:

Carmel's work again, Kneecap by Isabel Avendano Hazbun, and genes/jeans by John Parkes:

This is around the corner, the back of the previous wall. Hillary Green's Wonderlust, and two works by Adrienne Doig:

Anita Larkin's Roger, I hear you loud and clear... is just behind the person's head, Ride a Wild Pony by Jennifer Bartholomew, and Ian McKinnon's Cascading Black and Tan:

Bartholomew and McKinnon's works again, and Mandy Gunn's TEXT-ile (The Unconcise Oxford Dictionary):

Mandy's work, and Nicole Barakat's obscured I am singing as I am sewing:

Nicole's work again, hmmm..., I'm not sure... Is this Julie Montagarrett's mise en abyme? No, by process of elimination I've realized it must be Tim Gresham's Liquid Module VI. Weavolution is next, by Nicky Schonkala, and Barbara Rogers' Parallels:

Anton Veenstra's Homage to El Greco Sebastian (Never felt a wound) on the wall, and Lucy Irvine's The Traveller. This was my pick to win. It didn't, but it did get an Honourable Mention:

A full shot of The Traveller, with Judy Hooworth's Black Water behind:

Julie Ryder's Transmorphing, and Pulse by Wanda Bennett. It has LED lighting incorporated into the work, but it doesn't really show up well here:

Wagga - Blue by Paull McKee, Esmae Emerson's Glacier, and Ecocover Panel by Flossie Peitsch:

Another overview. I think Veronica Cay's Sleep Little Babies is on a plinth to the right of Hilary's tapestry:

The Wanderlust is in the vitrine and is by Adrienne Kenafake, Patrick Snelling's winning work 8.9, and Teresa Poletti Glover's Every darkness promises a new dawn on a plinth behind the viewer:

A shot of my work Fence on the plinth behind, and Fences in front. They're all woven with a wire warp, and paper weft. The wire has rusted, staining the paper with random patterns:

A different view. Professional shots are in this post:

Cecillia Heffer's Tide, my works again, The making of a Slow Journey by Jennifer Robertson:

Another shot of that corner:

Sujora Conrad's #5 from Drawings for Field Work, and Wave... by Gabriella Hegyes:

I clearly wasn't paying enough attention at the time - I think this is mise en abyme by Julie Montgarrett on the right. Catherine O'Leary's Heartache is the red and white felt work hanging on the left:

Alana Clifton-Cunningham's Pauldron, and Metallic Sun-Orchids by Karen Richards. I'm not sure what the thread is, but it has picked up the flash. It wasn't as luminous in the flesh:

Back to the entrance. Woven Rhythms by Daniel Edwards, and A Trio of New Horizons by Cresside Collette:

This is gallery director Dianne Mangan opening proceedings:

Judge Valerie Kirk and Award Patron Liz Williamson:

Di introducing Liz:

The opening morning:


zebra factory said...

Thanks Rodney... Elisa will be extremely happy to - at least virtually - to see the show. Hope to see you again in Tamworth for the Triennial.

Desiree Kenafake said...

Thanks for posting the photos, its lovely to see the art works in exhibition setting.

T said...

thanks rodney, enjoyed having another look around the exhibition


Clear Chan said...

Hey(•̀ᴗ•́)و ̑̑I'm new here~~Play Archeage?Follow 2archeage

Buy Archeage Gold ------ Archeage Gold

Belly Ballot said...

Yes, great US Military force. Also, in his post you have given a chance to listen about US Military. I really appreciate your work. Thanks for sharing it. web development with wordpress

Snowsan Engineering Works said...

Nice Article